3/2/2024 0 Comments Final draft 12 tutorial![]() Many writers believe you have to load the first ten pages with lots of crazy action and startling events, and that’s the best way to hook your reader in. On the other hand, if your audience truly cares how the Central Dramatic Question might be answered, you’ll have them gripped until the end of your screenplay. If you haven’t hooked them in the first ten pages, all that great material will go unread. It doesn’t matter if you have a big reveal in the middle of Act Two, or a great twist at the end of Act Three. If you fail to do this, or the reader isn’t interested in finding out how this question is resolved, it is unlikely they will read any further. Once the Central Dramatic Question is answered, the audience’s attention is set free.īy page ten of your screenplay, your Central Dramatic Question needs to have been posed. Usually once the central dramatic question is answered, the story is largely over, and it’s time to wrap up your narrative. You might be able to recall a film in which the Central Dramatic Question was answered but the film just kept going and going. It is the audience’s desire or need to know how the question will be answered that keeps them tuned in. Typically the Central Dramatic Question is set up and posed in Act One, explored and exploited in Act Two, and answered in Act Three.
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